Product code: 962742 | ID: 962742
This is an ultra-affordable and even more feature-packed homage to the original from 80´s. Conjure up virtually any sound imaginable with incredible finesse and ease. The pure analog signal path is based on the authentic MonoPoly circuitry as well as VCO, VCF and VCA designs from the 80s. Take a walk in the shoes of legends or create your own timeless classics with the MONOPOLY.
Great care has been taken in engineering the MONOPOLY, including the true-to-the-original analog circuitry, 4 VCOs and incredibly flexible key modes for monophonic, duophonic and 4-voice polyphonic playstyles. This highly focused attention to detail is what gives the MONOPOLY its ultra-flexible sound shaping capability and allows you to recreate tones that are evocative of classic electronic music. It gives you the ability to cover a lot of amazing tones from super-fat bass, tasty leads – all the way to full-on dreamy ambience from the far reaches of your imagination. The synthesizer tracks laid down in the ‘80s in progressive rock, wave and synth-pop have become classics and have inspired many other artists. The MONOPOLY lets you recreate all that magic – or design some incredible and original sounds that will make you a legend in your own right!
The headphone output allows direct connection of headphones for private listening. This output provides a convenient way to enjoy the sound without disturbing others or ambient noise.
This instrument has 37 keys, equivalent to 3 octaves, providing a wide range of tones for a variety of musical applications.
The polyphony of this instrument allows up to <%=tp_value % notes to be played simultaneously, providing rich and complex musical possibilities.
It supports MIDI, allowing you to connect and communicate with other MIDI-compatible devices. This feature extends control and integration into the larger music environment, increasing flexibility and creativity in music creation.
The pedal input allows you to connect an external pedal that expands the instrument's control capabilities and contributes to a richer musical expression, increasing flexibility and expressiveness when playing and creating music.
The ADSR (Attack, Decay, Sustain, Release) type envelope filter gives you precise control over the dynamics and shape of your sound. The ADSR components are detailed as follows: Attack: Specifies how quickly the sound reaches its maximum volume upon activation. Decay: Specifies the time it takes for the volume to drop from maximum to sustain. Sustain: Represents a stable volume level that is maintained as long as the sound is active. Release: Specifies how quickly the volume fades to zero after the sound has been released.
An LFO, or low frequency oscillator, brings electronic sound to life. It adds movement and interest to synthetic sounds and effects, playing an important role in both subtle synthesis and bold sound design. However, you won't hear the LFO itself because it acts as a modulator. This means that it does not directly affect the audio signal, but adjusts other parameters such as oscillator pitch and filter clipping.
The Arpeggiator transforms chords into sequences of individual notes played in various rhythmic and melodic patterns. Instead of playing the chords as a harmonic whole, the Arpeggiator breaks the chords into individual notes and plays them sequentially according to the selected algorithm.
The Pitch Bend allows smooth pitch changes, adding expressiveness to musical expression. Often used to create effects such as glissando or vibrato, this feature allows the player to make subtle or dramatic changes to the sound in real time. Pitch bend allows musicians to create smooth transitions between notes, increasing the dynamics and expressiveness of their performances.
Modulation allows you to change different aspects of the sound in real time, opening up a wide range of creative possibilities. For example, it can affect the pitch of the sound, creating a vibrato effect, or it can change the amplitude of the signal, creating a tremolo effect. It can also adjust filtering to create smooth transitions between frequency bands and dynamic textures. Modulation can also be used to change the character of the sound depending on the time or intensity of playing, giving the sound a lively and moving character.
Тype
Keyboard Synthesizer
Aftertouch
LFO
Envelope
ADSR (2 )
Oscillators
Modulation
Arpeggiator
MIDI Interface
Touch Sensitive
Sound Engine
Number of Keys
Keyboard Type
Velocity-Sensitive
Key Size
Standard
Polyphony
Pitch Bend
Yes
Storage Medium
Colour
Headphone Output
Outputs
Pedal Inputs
Analogue Outputs
USB MIDI
USB to Host
Filter
Low Pass
Power Supply
Adapter, 12V
UK/EU Power supply included
Width (cm)
64,8
Height (cm)
9
Depth (cm)
36,1
Net Weight (kg)
10,3
Made in
China
Based on the number of reviews: 5
All reviews come from verified customers who have purchased a product from us in the past.